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Programe per fotomontazh
Programe per fotomontazh










Programe per fotomontazh

So, the dedication to his beloved Polina Khentova on the shmuttitule of the book "Had Gadya" ("Goat"), which he designed in 1919, is signed with two Hebrew letters - "E" or "E" (in the Hebrew alphabet it is the same letter) and "L ". However, he started signing as El several years earlier. The pseudonym El (El), formed as an abbreviation of his name, which sounds like Eliezer in Yiddish, was "officially" adopted by Lissitzky in 1922. Skyscraper project on the square near Nikitsky gate. Petersburg (according to the official version, he painted the "Discobolus" without observing the academic canons), he left for Germany to study at the Faculty of Architecture of the Polytechnic Institute in Darmstadt, where in 1914 defended his diploma with honors, and then returned to Russia and entered the Riga Polytechnic Institute, evacuated to Moscow during the First World War, to confirm the German diploma of an architect (in 1918 he defended his diploma of the institute with a degree in architecture-engineer).

Programe per fotomontazh

After he was not admitted to the Higher Art School at the Imperial Academy of Arts in St. Soon the family moved to Vitebsk, where Lazar Lissitzky studied drawing and painting with Yuri (Yehuda) Pen, a teacher of Marc Chagall. Lazar Markovich (Mordukhovich) Lissitzky was born on November 10 (22), 1890 in a village at the Pochinok railway station in the Elninsky district of the Smolensk province (now the Smolensk region) into the family of a merchant and a housewife. Everything for the victory! " The curator of the exhibition, Tatiana Goryacheva, and the editor of the exhibition catalog, Yekaterina Allenova, identified the key terms of Lissitzky's art, who himself liked to structure the books he designed as modern organizers. whose last work was the famous poster “Everything for the front!” created at the beginning of the Great Patriotic War. The expositions show a total of more than 400 works, including paintings from foreign museums almost never before seen in Moscow, a huge corpus of graphics, books, photographs and photomontages - this is Lissitzky's first exhibition, which makes it possible to assess the full scale of the artist-inventor of the avant-garde era. El Lissitzky at work on a layout design for the play "I Want a Child" based on the play by Sergei Tretyakov at the State Theater named after Vs.












Programe per fotomontazh